Showing posts with label animated. Show all posts
Showing posts with label animated. Show all posts

Tuesday, July 31, 2012

Dragon's Lair

For those of you who don't know (and I pity you) Dragon's Lair was a stand-up arcade game that came out in the 80s. It was a unique game in that the graphics were far and away better than anything we had ever seen before. They were like an animated movie. It was spectacular. It was also insanely hard. I don't know anyone who's has ever made it past the first few minutes of gameplay. Your character Dirk approaches the door of the castle and....you die. I had no idea how. You just died. As I shoved quarter after quarter in the machine I (finally) managed to sidestep the daggers that came out and open the door after which...I died. Over and over this went. I bet you I would blow $20 in quarter on this game...every time I saw it. And I never did get past that door. I was both infuriated and obsessed.

I won't tell you how much time and money that I wasted on Dragon's Lair when I was a kid. It was more money then time though. When your gameplay experience is only 10 seconds long it doesn't add up to much time playing. But the graphics kept drawing me back. As you know I'm an animation junkie and this was Don Bluth's work. I loved this game and I hated it.

This was actual gameplay graphics

When Jeff and I were in Disney World we went to DisneyQuest, their four story arcade. After you paid the door admission, all the games were free. I parked myself at Dragon's Lair and managed to get past the door to find the skeleton, which killed me. Jeff pulled me away to ride the bumper cars or something, and for that I thank him. Otherwise I could still be standing at that machine today, trying to see what's beyond that skeleton.

It was Jeff who saved me again as we stood in GameStop and I noticed that they now have Dragon's Lair for the Wii. It's the original game, plus sequels for $25 used. I begged. I pleaded. I whined. It wasn't pretty. I wanted that game. It was Jeff who pulled me away again. But I still think about it. Playing Dragon's Lair on the Wii, able to spend as much time as I need to advance in the game. Finding out what the sequels were like. Although I'm still confused as to how you can have sequels for a game no one ever won...or played more than 10 minutes on.

Monday, January 2, 2012

Kipling's Mongoose

I read The Jungle Books at a young age. I was probably ten or so when I discovered Kipling's world of wolves, tigers, snakes, and man-cubs. Of friendly panthers and troublesome villagers. And of course the poetry. It was the poetry that stayed with me the most. Shortly after reading the story of Mowgli, I had memorized the opening poem.

"Now Rann the Kite brings home the night
that Mang the Bat sets free.
The herds are shut in byre and hut
for loosed till dawn are we.
This is the hour of pride and power
of talon and tusk and claw.
Oh hear the call--good hunting all
Who keep the jungle law."

I'm not sure why the poem stuck with me but it did. I enjoy Kipling. I know that his reputation in the last couple decades has slipped. He seems antiquated with his colonial views. But he was a master with words. I was reminded of how good when I stumbled on the animated film of Rikki-Tikki-Tavi, a Chuck Jones cartoon that I'd loved as a child. And of course I had read Kipling's story as part of The Jungle Books. I watched the cartoon and then went back to read the story. Like How The Grinch Stole Christmas, Chuck Jones stayed incredibly true to the source material. Most of the dialogue and all of the narration are taken directly from the story. Even the Tailorbird's song is faithfully reproduced. The only thing missing is the opening poem. I had tried to memorize the poem years ago. And when I re-read the story I remembered why. It is wonderful.

For reference Red-Eye is Rikki because of his red eyes before striking. Wrinkle-Skin is Nag, the cobra.

At the hole where he went in
Red-Eye called to Wrinkle-Skin.
Hear what little Red-Eye saith:
'Nag, come up and dance with death!'

Eye to eye and head to head,
       (Keep the measure, Nag)
This shall end when one is dead;
       (At thy pleasure, Nag.)
Turn for turn and twist for twist--
       (Run and hide thee, Nag.)
Hah! The hooded Death has missed!
       (Woe betide thee, Nag.)


Monday, September 5, 2011

The Lost Thing Weekend

I've mentioned before how much I love the work of artist Shaun Tan. I was introduced to his illustration work years ago when looking for Adam Rex images (not sure I see the connection but hey). Since then I've been buying Shaun Tan's books regularly. I have Tales from Outer Suburbia. I have The Arrival. I even found an old copy of The Red Tree on ebay. Any other books that I haven't bought I've picked up from the libraries. I love this man's work.

One of my favorite stories is The Lost Thing. The picture book tells the story of a central narrator, who remembers when he found a lost thing on the beach one day. No one else seemed to pay any attention to it (they were all too busy for odd lost things), so he took it home. His parents were too busy to notice. But the boy knew he couldn't keep The Lost Thing. So the next day he went down to the Bureau of Odds and Ends to turn it in. While they were waiting to fill out the numerous forms in triplicate, an odd looking janitor handed the boy a card and said that if he really cared about the thing to take it to this address. The boy searched for a long time (the Bureau was dark and scary anyway) and found the address. It was a courtyard filled with lost things of every size and shape. And they all seemed happy. The Lost Thing was happy to go and the boy returned to his life. As an adult now he has noticed recently that he's seeing less and less lost things. But then again he's really busy.


I read the book years ago but hadn't found a copy to buy. This past year though Shaun Tan released a collection of three of his stories (The Red Tree, The Lost Thing, and The Rabbits) in one volume called Lost and Found. This weekend while at Barnes and Noble, I spotted a copy and had to buy it. Even with my limited cash I knew this was a book I would treasure. I hadn't read The Rabbits yet so that was a treat (well not treat. It was powerful). When Jeff asked what I'd bought I made him go through all the stories. I was so excited.

After I got the book home I was searching through an animation blog I read when I stumbled on information about Annecy, an animation festival held annually in France. The festival webpage mentioned that Shaun Tan's The Lost Thing (animated short) had won in 2010. I had seen the trailer years ago so I quickly tracked down the film. It was on iTunes. I was expecting a $10 movie so I was thrilled to see the basic version of the film available for $1.99. I couldn't click the buy button fast enough. The animated short was perfect. Exactly the way I would have imagined the story done. I was so excited to finally own the story and the movie. I've been wanting them for a long time.


By the way, Shaun Tan has the best interview answer I've ever read about drawing. He was sitting in an interview and being asked about his illustration. The interviewer of course asked "When did you start drawing?". Shaun just replied "When did you stop?" And he makes a great point. We all grow up drawing. We may be terrible but as a kid we draw. It is only as we get older that we stop. The artists we love, just never stopped. I remember that when I start to worry about how bad I'll be at something.

Thursday, January 28, 2010

New Cartoon

I'm a small child at heart. I love animated films, picture books, comics, and cartoons. Anything childlike or whimsical catches my attention. In my free time I read about children's book authors and gifted animators. So it would seem likely that I'd enjoy the Disney Channel. But up until recently I haven't. Too many live action dramas and musical series. Too many people, too adult. Not enough children's stuff. So when I happened to flip by a couple weeks ago, I was shocked to find a cartoon. I was even more shocked to find out that it is a Disney Original and that it happens to be great.

I'll admit it, I'm suddenly addicted to Disney's Phineas and Ferb. The story follows two half-brothers who fill each day of summer vacation with marvelous inventions and exciting adventures. They can build pretty much anything . They are dogged by their older sister who is constantly trying to get them in trouble. But somehow the evidence always manages to disappear (normally without the boys' help) before she can show their mother. In fact the boys want their parents to see what they are up to. Along with the boys' adventures there is the story of Perry, the family's pet platypus. Perry may seem like just an odd pet but he's actually a crime fighting platypus who's mission is to thwart the bumbling, mostly evil Dr. Doofenshmirtz.

Each 30 minute episode has two cartoons. And each cartoon has both the Phineas and Ferb storyline and the Perry the Platypus storyline. These typically intersect at the end of the cartoon in hilarious ways. I'll admit that while I enjoy the Phineas and Ferb segments, I adore the Perry the Platypus one. His interactions with Dr. Doofenshmirtz are witty and clever. I enjoyed one recently where Perry arrives at the Dr.'s office to be told that Doofenshmirtz was still in the planning phase. He can't thwart his evil plan yet because he hasn't even been able to write his evil monologue. So Doofenshmirtz offers Perry the chance to help him so that he can then be thwarted faster. We see them grocery shopping together to pick up all the necessary ingredients for the evil scheme. When they run into Perry's boss, there is a brief silence and then Doofenshmirtz simply says, "well that was awkward." Witty, hilarious, and a little offbeat.

The Phineas and Ferb sections have just as much wit and can be just as funny. The difference is that the storyline there takes itself more seriously. The actions aren't quite so tongue in cheek and there is a sweetness to many of the resolutions that doesn't occur on the Perry side. But it is always a wonder to see the fantastical inventions and where they take the boys. Each cartoon also has a musical bit. And the songs might have to be the best part of the shows. One of my favorites has to be a song (played in hip-hop style) about Candace (the boys' sister) getting squirrels in her pants (it's much more chaste than it sounds). Or the song that Dr. Doofenshmirtz sings about covering his perfect brother in pigeon poo. Hilarious and surprisingly catchy. If you get a moment check out Phineas and Ferb either at IMDB or at the Disney Channel site. Well worth some time. I don't remember the last time I enjoyed a new cartoon this much.

Saturday, January 16, 2010

Up, Up, and....

Well still here. I'm having an odd week. As you all know I haven't done any posting this week. I've been in full recovery mode. The only thoughts that have been running through my head this week have been how to get from Point A to Point B. That means that all the things I want to talk about, all the cool things I've learned this week, all the interesting films I've seen, have been relegated to the back of my mind while I concentrate on learning crutches and finding out how to do things I've taken for granted before. Like eating breakfast, and showering.

But there is only so long I can go without writing, much like reading. And this was the breaking point. So I'm going to start with something that happened what feels like months ago. Last week I watched Pixar's Up and I've been wanting to talk about it. As most of you know I'm a HUGE Pixar fan. Other than Cars, which I thought was lackluster, I have loved everything that Pixar has ever created. Their movies are wonderful, their shorts are funny and poignant, and everything they create has tons of heart.

This movie is no exception. When I say that I cried within the first 20 minutes of this film you will understand exactly how much heart this movie has. I fell instantly in love with the love story between Carl and Ellie. We watch them meet, fall in love, get married, and follow them throughout their lives. This is done with little dialogue but by the end we are already in love with this couple. Those first twenty minutes of the film, may very well be my favorite montage in a film ever. I laughed, I cried, and I sighed with them. And that was just the set up.

The film follows Carl who, after Ellie's death, decides to carry out her last wishes and move to Paradise Falls in South America. He rigs the house with balloons and manages to fly there, with one stowaway, a young boy scout named Russell. Although Carl is not happy to have Russell with him, he realizes that getting him home would be problematic and the two become unlikely partners. When the house lands close to the falls, Carl and Russell decide to walk there to set up. Along the way they meet Doug, a talking dog and Kevin, a gigantic bird that becomes the basis for all the movie's conflicts. They also meet a famous explorer who Carl once idealized. He has been hunting for Kevin for decades and has been driven mad by the search. He and his army of talking dogs then start hunting for Russell and Carl since they know the whereabouts of the bird.

It is an odd plot and in places is far more intense than I would have expected. The flight from the crazy explorer (Charles Munts) and the later fight against him was action packed with tons of impressive animation work. The visuals are beautiful throughout the film. But what really stuck with me was the heart of the story. The love story between Carl and Ellie and later the friendship between Carl and Russell really made this movie for me. We see how Carl changes over the course of the film. This is his story, and never has a children's film about an old man, created such a stirring realistic character. Kids will love the talking dogs and the moments of slapstick once the pair reach the Falls. Adults will love the character of Carl and the film's ideas of relationships, idolization, and life. Me, I just fell in love with the whole thing.

Wednesday, November 26, 2008

Getting Animated About It

I'm a huge fan of animated films. If given a choice, I'll almost always pick an animated movie over any other. Stop-motion, digital, hand-drawn, it doesn't matter. I am in awe of the movie making process for animation. There are some many different styles of animation and each is interesting and artistic. When each movie is over, then I have to watch the special features. All of them. I spent two and a half hours watching the making of Chicken Run after I bought that film. That's longer than the movie. 

This past year we signed up for Blockbuster delivery and since then I have been steadily requesting any animated film I can get my hands on. Lately I've been focusing on the more modern movies that have come out. And the results have been interesting. Tonight I watched the last of them for a while and figured I would do some quick reviews of the ones I have seen. I'll stay away from talking about the Pixar films which are consistently wonderful or the straight to video Disney ones that I can't bring myself to watch.  

Tonight we watched Hoodwinked. I had seen the previews when the movie first came out and thought it looked funny. First it had Patrick Warburton. The man is a comedy genius. I will gladly watch every animated film he does voice work for. And I was right. This fairy tale gone wrong had all the makings of a Jon Scieszka children's book. I won't tell you too much about the plot because that is one of the best things about this story. The movie follows Little Red Riding Hood's visit to grandma's house but the characters are not the ones you have met before. Each character, Red, wolf, grandma, and woodsman, tell their own story of the events of the night. And hilarity ensues. This was one of the most inventive and well written of the animated movies we have seen recently. 

The previous one we had rented was The Wild. This movie came out about the same time as Madagascar and seemed to tell the exact same story. I have to wonder if the stories had originally been sent around the studios and everyone sampled from the same thing. Both stories tell of zoo animals that have to make it out there in the wilds of Africa. Both of them have main lion characters and giraffes. We watched both of these. And while each movie was similar in plot there was a very different tone. And because of that, I loved one and hated the other. The Wild was quirky, lead by Eddie Izzard as the koala. There was a zaniness to the movie but it was not a grating zaniness. There seemed to be a heart behind the madness. Madagascar on the other hand focused mostly on the arguments between the characters. After thirty minutes I debated turning the movie off. It was a little like going to dinner with a couple filing for divorce. The sniping at each other was grating. The penguins were the saving grace of the film, perhaps the reason that the new film promised 30% more penguins. 

Open Season was one of those films that I enjoyed and forgot the moment it ended. I had to ask Jeff what the title was in order to write this and couldn't even remember any of the voice talents. Not a good sign. Normally I can tell you who did the principal voices, what the title was, and who directed it. I can tell you who directed the Pixar animated shorts. The story was cute, the characters were silly and slightly over the top, and the jokes were good. I just didn't find it incredibly memorable. Perhaps I should go back to the classic "Wabbit Season, Duck Season" Warner Brothers cartoon as a substitute. At least that one I can quote. 

But the jewel of the ones we have seen recently was Over the Hedge. If I had to pick an animated film that surprised me with its heart and warmth it would be this film. Now I have not yet seen Wall-E but I hear that one will possibly replace it. (I don't see things in the theater so that one has had to wait) First, the movie has a message. It is not a subtle message but one that is not dripping from every word. And it is a message I can wholeheartedly get behind. The sprawling of the suburbs has driven animals into smaller and smaller areas. (but this is not the post for that discussion). What I loved about this movie was the voices. Gary Shandling, Bruce Willis, and Steve Carell were hilarious. How can you not love a film that gives William Shatner a possum role? The movie is funny and touching and silly. Everything a good animated film should be. The scene at the end with Steve Carell was so hilarious my husband had to stop the movie to wipe the tears of laughter from his eyes. Too wonderful. 

I have to love that there are so many animated films for me to enjoy. And so many different forms. I'm eager to see Coraline when it comes out. Stop motion has a special place in my heart. But until then I have many more in my queue.