My father is retiring in January. He's worked for the same medical group since he finished his residency in 1975. My father has never missed a day of work due to weather. He's been a valued part of the hospital and I'm constantly told how wonderful he is.
To celebrate his retirement my sister started planning a party for him. A gathering where we would invite all of his coworkers, and all of our family, and my parent's friends to celebrate his long and productive career. She started planning the party..., until she talked to my dad about it. And he thanked her for the idea but said, "we're not really party people."
When my sister told me what he'd said I was a little surprised. My dad is outgoing, often the one telling jokes at any gathering. But at the same time this is true. We aren't party people. As a family it is rare for us to have a party. I know my parents had their friends over when we were younger but it was never what I would call a party. Birthday parties normally took place at a location outside the house (think Chuck E. Cheese). And tonight we'll be going out to dinner to celebrate my birthday.
It's strange but I don't feel like I missed out on anything by not having parties when we were younger. I'm more than happy to celebrate life events with a good dinner and some time with family. I'm introverted enough that parties are stressful and I often want to flee shortly after arriving. It's not that I don't like people, I just get overwhelmed. I think my childhood would have been stressful had we been party people. But we aren't. So we'll celebrate my dad's retirement with a family gathering, getting all the kids together for a weekend. And tonight, I'll celebrate my birthday with a glass of wine and a great dinner. And that sounds perfect.
Friday, November 14, 2014
Wednesday, November 12, 2014
I'll see you in court!
It's pretty rare when the words in the title are followed up by anything pleasant. But today was a bit of an exception. As I headed out to work this morning I told Jess that I'd see her in court. And we both had smiles on our faces.
Today Jess' name change became legal. We filed the paperwork in September and had been waiting for the courts to set a date. I'd already sent back my notarized form saying that I was aware of the name change and didn't object. But Jess' lawyer thought it would be best if I was present just in case there were any questions. I'm glad I was there to support Jess. We were both questioned lightly but by the lawyer. The judge was all smiles. It's not often that a judge gets to make someone's day.
All and all the process took 20 minutes, not counting the waiting to have a court date set. Everyone (at least in Iowa) is allowed one legal name change without cost. Jess has just used hers. And I don't think I've ever seen a smile so radiant. How often can you say you spent part of the day in court and ended up happy?
Monday, November 3, 2014
Life is a Cabaret, Old Chum
I get on kicks every once in a while (and by that I mean all the time). Jess calls them my obsessions. My current one is Alan Cumming. Ever since I saw my first Alan Cumming movie (Circle of Friends) back in the early 90s, I've paid attention when I find movies with him in it. As I sit down to watch I always say, "Oooh this has Alan Cumming. I love him." But he's never been one of my kicks. Until now. Suddenly I'm watching movies with him in them, listening to interviews, getting excited to read his new book, and watching YouTube video after YouTube video. It's a fun kick. Alan's a really fantastic actor but he also has a lot of traits that I admire: intelligence, honesty, energy, passion. Plus he's vegan. What's not to love?
One of the best things though about this kick is that it has introduced me the fantastic musical Cabaret. After all Alan won the Tony for his performance as the Master of Ceremonies in the 1990s revival of the musical, playing the part that Joel Grey played in the film. Alan's version is a tad...raunchier. And a bit darker, than the Joel Grey/Liza Minnelli one. It's not a show for children, either for the rather erotic dancing or for the dark Nazi undertones. Before this kick though, I'd never seen the whole musical. I'd seen bits of the costuming and heard a couple of songs (who hasn't heard "Money"?). But I had no idea how deep and potentially dark the musical could be. I thought it was about a nightclub after all.
I should have known it would be dark. After all, it's about Germany during the rise of the Nazis. In the late 1920s Germany was a country of decadence, as expressed by the club. Like our 1920s, dancing and drinking and sex were all the rage. The play focuses on an American writer who comes to Berlin, the nightclub singer who moves herself in with him, the landlady at his boarding house, and her admirer, a grocery man who happens to be Jewish. The Nazis rise to power takes the form of a man who befriends the writer and then wrecks havoc in the life of the boarding house. And overseeing all of this is the Master of Ceremonies.
The music is so catchy. I've been singing Willkommen, Mein Herr, Money, Two Ladies, and Life is a Cabaret since I started watching the musical. I've seen several versions now (not just Alan's) and I like all of them. I just love the mix of energies, one upbeat and a bit sexy, and the other dark and grim. I have favorite versions for each song and I'll listen to them over and over. The dancing and acting is just spectacular. And the story makes me laugh and make me sad. A well told tale. Now I just need to see it on stage.
Over the weekend my sister and I were planning to get together on Saturday. That morning she started her text with "Guten Morgen Fraulein". When I texted her back she apologized for the German but said that she'd just seen a stage production of Cabaret and had German on the brain. I couldn't believe the coincidence. We've been trading our impressions of each of the different versions since then. It's fun that we both found this musical at the exact same time. And it's even more fun to have someone to share the excitement with.
Joel Grey as Emcee, singing Money with Liza Minnelli
One of the best things though about this kick is that it has introduced me the fantastic musical Cabaret. After all Alan won the Tony for his performance as the Master of Ceremonies in the 1990s revival of the musical, playing the part that Joel Grey played in the film. Alan's version is a tad...raunchier. And a bit darker, than the Joel Grey/Liza Minnelli one. It's not a show for children, either for the rather erotic dancing or for the dark Nazi undertones. Before this kick though, I'd never seen the whole musical. I'd seen bits of the costuming and heard a couple of songs (who hasn't heard "Money"?). But I had no idea how deep and potentially dark the musical could be. I thought it was about a nightclub after all.
Alan Cumming's Emcee in Willkommen
I should have known it would be dark. After all, it's about Germany during the rise of the Nazis. In the late 1920s Germany was a country of decadence, as expressed by the club. Like our 1920s, dancing and drinking and sex were all the rage. The play focuses on an American writer who comes to Berlin, the nightclub singer who moves herself in with him, the landlady at his boarding house, and her admirer, a grocery man who happens to be Jewish. The Nazis rise to power takes the form of a man who befriends the writer and then wrecks havoc in the life of the boarding house. And overseeing all of this is the Master of Ceremonies.
The music is so catchy. I've been singing Willkommen, Mein Herr, Money, Two Ladies, and Life is a Cabaret since I started watching the musical. I've seen several versions now (not just Alan's) and I like all of them. I just love the mix of energies, one upbeat and a bit sexy, and the other dark and grim. I have favorite versions for each song and I'll listen to them over and over. The dancing and acting is just spectacular. And the story makes me laugh and make me sad. A well told tale. Now I just need to see it on stage.
Over the weekend my sister and I were planning to get together on Saturday. That morning she started her text with "Guten Morgen Fraulein". When I texted her back she apologized for the German but said that she'd just seen a stage production of Cabaret and had German on the brain. I couldn't believe the coincidence. We've been trading our impressions of each of the different versions since then. It's fun that we both found this musical at the exact same time. And it's even more fun to have someone to share the excitement with.
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