Showing posts with label Irene Gallo. Show all posts
Showing posts with label Irene Gallo. Show all posts

Thursday, August 27, 2009

Peter de Seve

It's interesting to read several art blogs because eventually they will all be talking about the same thing. Last week I had never heard the name Peter de Seve. Then over the weekend I went through the entire archive for the blog lines and colors. This has to be my new favorite blog and I wrote down a ton of artists names to look at more closely. Peter de Seve was one of those names.

Then I happened to arrive at Drawn this week to find that they mentioned how Peter now had a blog. Drawn referenced that they found the information from Irene Gallo's blog, The Art Department, which I also read. Then out of nowhere Tony Diterlizzi, who's blog I read, mentioned Peter's work. From not knowing the man's name to 4 mentions in four separate blogs in one week. I just had to go looking for him. And holy cow, I'm so glad I did. I am in love with this man's work!!

And of course what I didn't realize is that I have seen his work all over the place, but just didn't know it. I remember a couple years ago I found a painting with a T. Rex in a Paris street scene. De Seve. I bought the book The Bear Went Over the Mountain (below) and loved the cover art. De Seve again. Peter has done character design for work films like Finding Nemo, A Bugs Life, Ice Age....the list goes on and on.


I've seen his artwork on magazine covers and never recognized the name. I've seen his New Yorker illustrations and never made the connection. He's everywhere. And even more exciting for me, he's coming out with a retrospective book, A Sketchy Past. This image has to be one of my favorites from it. Not only does it suit my vegetarianism, it's just hilarious. I love the look on the faces of the lobsters. Check out his blog for a clearer image.


Peter's style is cartoony but very detailed. He's fantastic at creating action and emotion in the same image. Characters come alive in his work. Each image is like a still frame from an animated film. I think it is interesting that Tony Diterlizzi mentioned Peter because I feel like their styles are very similar. And like Tony, I've been in love with their work for a long time and didn't realize it. I'm not sure why it took me so long to recognize his name but from now on I'll remember it. I'll also be adding his blog to my list of art blogs to read and looking for a copy of A Sketchy Past. I love finding new artists, and particularly ones as talented as de Seve is.


Sunday, February 1, 2009

Saturday Morning Cartoons

Okay by the time I'm actually writing this, it is Sunday morning. I've had family in town all weekend and have been busy with them. I figure I can sacrifice some sleep to write. Oh what am I talking about, I'm never in bed before 2 on weekends. 

As I've mentioned a couple times I'm a huge fan of animation. Originally that was simply Disney films but over the years I have developed a love for all types of animation. Perhaps the same part of my brain that adores children's books, is stimulated by a simple animated film. I had started reading Adam Rex's blogs a year ago or so. And Adam Rex led me to Irene Gallo at Tor. Tor is a wonderful fantasy/Sci-Fi publisher and Irene works with the art side of the business. Let me think, fantasy and artwork. A perfect combination for me. 

And then I found the Saturday Morning Cartoon segment of the blog. I spent a couple days watching each of the animated features. Irene adds a new pair either weekly or every other week. Recent addition Al Dente is classic animation telling the very disturbing and sweet story of a little girl outsmarting a giant. One Rat Short, posted back in October 2008, is one of the saddest, most emotionally complex 10 minutes I've ever seen. I has more personality than some full length features I've seen. How Wings Are Attached to the Backs of Angels is disturbing, dark, and oddly hypnotic. Space Alone is very sad but cute. And Wind Along the Coast or When the Day Breaks just make me happy for reasons I can't describe. Any of the films posted is wonderful in their own way. 

Wednesday, December 3, 2008

Adult Fables

It all started out with a fish in the middle of the street. I had been looking for images by Adam Rex and stumbled upon a picture of a fish swimming down the street over the head of a little girl. This picture:
The image caught me. I loved the darkness of it, the absurdity of it, and the sheer beauty of it. When I first saw it I thought that it was not really Adam Rex's style. And with good reason. This was a website dedicated to illustrators. And the artist was Shaun Tan. This particular image is from the book The Red Tree and is the story of depression. I checked it out from the library the very next day. The story is simple, one line per page and often with a dark depressed theme. It is the images that make this book. Each image has a bit of oddity, a bit of darkness, and a little ray of hope. The end is simply glorious. It is simply one of the most beautiful books I have ever seen illustrated. And I couldn't believe they had listed it as a children's book. This was far too deep for children to get.

Tan is an Australian author and illustrator who is quite simply one of the best artists out there. After The Red Tree I had to go find The Arrival. This amazing wordless graphic novel tells the story of a new immigrant to a strange land. It describes his journey over, the family he left behind, and the struggles of learning a new language and system. Without any words this book tells more deeply the immigrant experience than any other I have seen. Again this book was listed as a children's book. And again I wondered.

I was surprised to find that one of the Shaun's stories The Lost Thing is being made into a movie. Irene Gallo, who writes a blog for Tor, mentioned it in one of her posts. The video is a very good overview of Tan's work and a wonderful interview with an interesting artist. In it Shaun talks about how he doesn't really see himself as a children's author. And things finally made sense for me. Most of his books are simply far too deep for children. Like adults reading The Lorax, things in his books seem that much better when you are reading them with a little more insight. His pictures may be fantasy images but they are not really geared towards children. Shaun describes them as adult fables and I think that sums it up well.

I'm also rather impatient to get my hands on Shaun's newest book, Tales from Outer Suburbia. The book, which is already out in Canada and Australia (lucky!), is a series of small stories that show the absurdity and strangeness of city living. This image which is taken from the book is one of my favorites. I'll be first in line when it's released here in the states. As for any of his other work I would definately see about getting your hands on a copy. The artwork alone makes it worth it.