Saturday, September 27, 2014
The Comics Issue
I grew up on a rich diet of books which included picture books, chapter books, comics, and comic strips. Some of the earliest adventure stories that I fell in love with were Uncle Scrooge comics. Each thin paper comic contained an adventure that often spanned the globe. I would get sucked into the stories. I can still picture Uncle Scrooge in his adventure for the golden fleece or making his way into the valley of Tralla La (the Carl Banks version of Shangri-La). I had no idea at the time that I was learning bits of greek myth or about mythical utopias. I just knew that I loved the stories.
As I got older I fell in love with comic strips. I read Calvin and Hobbes, Wizard of Id, The Far Side, and Bloom County to name a few. There were other comics, ones that weren't in our local paper, that found their way into the house in the form of collections. My mother supported us kids as readers, in whatever form that reading took. So we had hundreds of these comic collections mixed with our paper comics that included Archie's, Mickey Mouse, and Casper. We were allowed to read anything we wanted as long as it was kid friendly. And we did read. I can't remember a moment of my childhood where I wasn't reading or thinking about books to read. We were blessed.
I worry about kids now whose parents keep them from comics. Parent who say that graphic novels and comics aren't real reading. As if reading a chapter book was the only form of book for kids once they can read on their own. Like the mistaken idea of taking picture books away from kids after they can read on their own, I think that this does more to keep children from becoming readers. Much like picture books, I think graphic novels are essential reading for kids who are learning to love words and stories. A story can be told in many ways. Like a great film, a graphic novel uses both dialogue and image to tell a more complete story. A child who is encouraged to read whatever they would like (within reason) will become a reader. They will read for pleasure. They will read to learn.
Now I'm not saying to never pay attention to what your children are reading. I've read graphic novels that were disturbing for me as an adult. I've also read word only novels that have done the same thing. My mother was careful to screen what we read for adult content. Things we read that were more advanced were discussed. But we were never told that we couldn't read some type of format. When I went back to reading picture books my mother gave me a stack of books from our old library. I have dibs on some of our comic book collections. I read constantly as a child, in all formats. And I don't know if I would have been as large a reader if I hadn't been granted so much freedom in deciding what I wanted to read. I know that I would not be the reader I am today without that combination of art and words.
Friday, November 11, 2011
Daytripper
Last week at the library I picked up a graphic novel that had been mentioned as one of the best graphic stories for last year. I'm a huge fan of graphic novels but I tend to focus on the more unique stories. I seek out those novels that touch on unusual topics. Alison Bechdel's Fun Home and Marjane Satrapi's Persepolis were two that I've read in the last year and found fascinating. I had read a review of Daytripper by Fabio Moon and Gabriel Ba and knew I had to pick it up. If the review hadn't caught me, the cover would have (yes I judge books by their covers, also by their titles). Daytripper might be one of the most unique and interesting stories I've read in a while. It's an existential graphic novel with a twist.
Daytripper is all about death. In each chapter, the main character Bras is killed. In a each chapter there is a brief obituary about his life and each section of the book is at a different age. Normally he is killed at a particularly tragic moment, one of the great moments of his life. We see how his death affects others based on where he is in his life. The 11 year old boy receives a very different send-off than the 48 year old man. And through these obituaries (Bras himself is an obituary writer and an author), we get a further peek into his life. In each chapter he loses his life at a particularly poignant moment: after meeting the women of his dreams, traveling on a book tour, after the birth of his first son. But in each story we see the character progress as he accepts life and starts to live more fully.
I noticed that each death, at a later stage of his life, started to impact me more. The first story is all about how he can't write, how he's trying to live up to his very successful author father, how his life is falling apart. Although tragic, his death didn't impact me. Perhaps because they tried to show that Bras wasn't really living. With each story, I felt more and more for the character. His deaths seemed more tragic. A particularly heart-wrenching death was when his son was six and idealized his father. Bras is traveling and the story is of the tender moments between him and his family. And at the end, I cried. Not because he died, but because he lived. The story reminded me of all the living we have to do and we better get to it. I saw how the obituaries changed. In these chapters I got to watch an entire life, and multiple deaths. And each seemed worse. A great character, an inventive way to tell the story, and some incredible emotions. This one has to be one of the best graphic novels I've read. It will find a place on my bookshelf.
Thursday, August 11, 2011
New Books!!!




Tuesday, July 19, 2011
With Apologies to Alan Moore

Over the weekend, Jeff and I sat down to watch the movie Watchmen. The previous weekend it had been The Dark Knight so apparently we’re on a dark superhero/supervillian kick. I’d been hesitant to watch Watchmen. I’d loved the graphic novel and movie adaptations tend to disappoint. Plus I knew that Alan Moore had been unwilling to even have his name associated with the film. So I went in with lower expectations. And I have to apologize to Alan Moore. I enjoyed the film, quite a bit.
The movie had the same gritty feeling as the novel and that’s what I liked. The characters were perfect, particularly The Comedian and Rorschach. It is exactly how I imagined they would sound. In fact, I thought most of the characters were pitch perfect. The plot had some significant changes from the graphic novel including cutting out an entire storyline. But many people thought the novel was unfilmable so I know that they had to make some big choices on what to include and what to cut out. Like most action films of the current day, this was bloody and violent. But the graphic novel was as well and I think I can almost say that the film-makers downplayed some of the violence of the story by leaving out the secondary storyline. The ending was very different. But this is one of those rare, rare times when I will say that the movie might have improved on the book. The ending to the novel was a bit out there, a bit far-fetched. The ending to the film made total sense. It tied the entire Dr. Manhattan plotlines together.
The visuals were fantastic. Like many others have said before, the opening credits were just amazing. I don’t know how they shot those but I want to learn. The darkness and grime of the city was perfectly captured. The movie still kept a bit of a comic book feel to it though. The fight sequences were a bit over the top though. These are mortals who donned masks to play vigilantes, not superheroes. Some of the fight sequences would have been better served with a touch more realism. Over all I was really impressed by the film. I enjoyed the endings and the overall story. I enjoyed the characters and the visuals. It was a fun film that I was not disappointed with.
Plus it was nice to watch a movie that had more male nudity than female nudity. A rarity in Hollywood. J
Thursday, August 26, 2010
Guess What I'm Reading?




Thursday, July 1, 2010
Into Boneville
As I mentioned before, the Bone series follows the adventures of the Bone cousins after they are kicked out of Boneville and find themselves in a strange valley. The cousins, Fone, Phoney, and Smiley are as different as night and day. Fone is the main character of the story and is of the noble hero mindset. He's extremely loyal, intelligent, and caring. He's the heart and soul of the books. Phoney is the con artist. He's the reason they got kicked out of Boneville. His constant get-rich-quick schemes often lead the boys into more trouble or fuel the fire of whatever drama is going on. Smiley is the simpleton who seems to go along with either cousin. The cousins end up befriending Thorn and her tough-as-nails Grandma who end up being far more than we expect. They also encounter a friendly flea who helps them out, a tough and loyal villager who's sweet on Grandma, a red dragon who always seems to aid them at the right time, and a slew of other unique characters.

The story follows the group of heroes as they fight against the Rat Creatures who terrorize them, a gigantic mountain lion who can't decide his allegiance, and The Lord of the Locusts, an ancient evil that will destroy the valley and everyone in it. During the series we encounter ancient religions, a crazy hooded figure who'll stop at nothing to kill Thorn and kidnap Phoney, and enough magic and mischief to keep us entertained. Add onto that the constant schemes and dilemmas that the Bone cousins create or deal with and you have a pretty action packed series.
The series is located in the children's book sections of many bookstores. It was in the young adult graphic novels section of the library but I've also seen it in the adult graphic novel section of bookstores. One bookstore had it located in all three places. The series can be read by children but I actually think that adults might get more out of it. There is a lot going on in this series. In many ways it reminded me of the Lord of the Rings series. No matter what, it's a series I recommend. Quick reads, unique and interesting characters, lots of action, and some great humor and emotion. I was completely enthralled.
Friday, June 4, 2010
A Perfect Night


Wednesday, March 4, 2009
Watchmen
I won't say the main plot of the story, (because it follows so many different plots) but one of the plots of the story follows Rorschach as he tries to figure out who killed masked superhero "The Comedian". We see his fellow superheroes in flashbacks, and then as they are now. These are disturbed people. The Comedian himself was no Dudley Doright. He rapes and kills without seeming remorse. Rorschach is crazy and violent. These are not your children's superheroes. In fact, I don't think children should be reading this book. The society they live in is a perfect dysutopia which although current when Moore wrote it, doesn't seem that far off. The technology has changed but somethings ring true.Purist fans of the book will be surprised by the ending of the film, from what I understand. The giant squid is gone. As one commenter said, they love to tell their friends all about the dark themes and allusions made in the book. All about the social commentary and subtle nuances of the story. And then top it off with a giant squid landing in NY and killing everyone. It just seems so out of place.
As is typical with Moore he will be distancing himself from the film. He does not feel that any film can do his stories justice. I too am concerned with this one. I was more concerned though with rumors I heard before the film came out. I had originally heard that the ending was changed so that people who had read the book would not spoil the ending for others. That saddens me. The book has existed since 1987. Alan Moore wrote a book that most considered unfilmable. The book, no matter how good the movie is, will always be better. But they are worried about people leaking the ending. Here's an idea (and this is me on my soapbox), let them all read the book. Perhaps if they read the story they wouldn't have to worry about having the story ruined for them. It's a quick read and most libraries carry it. Honestly I hope the movie gets people to read the book. I hope that they return to the source material and compare. Because movies always tend to be found lacking against great books. I'm not sure I'm heading to the theaters for this one. And I'm not even sure if I'll rent. Some things are just too good to cheapen with theatrics.
Wednesday, February 18, 2009
A Picture is Worth....
The first real graphic novel I ever read was Maus by Art Speigelman. For those who tell me that graphic novels are kids stuff, I point to these books. Maus handles the holocaust in ways that are hard to describe. Even though the characters are animals there is no mistaking what is going on. The images are disturbing and sometimes truly gut-wrenching. It would be a hard hearted person who read these and didn't swept up in the emotions of the story. And I still claim that this story needed to be told in this format. Somehow the visual portrayal of these actions are so much worse then they would be through words alone. They are powerful stories.
A friend of mine recently lent me Persepolis by Marjane Satrapi. This starkly black and white graphic novel tells the true story of a young girl growing up in a very turbulant Iran. She lives through a dictatorship, a quick democracy, and the Islamic Revolution, until she is finally forced to leave the country. The story is brutal in parts and sweet in others. This is story of childhood told from the safer viewpoint of adulthood. The author mixes tales of relatives going to prisons, families fleeing, and the constant fear of discovery (her parents are revolutionaries). There are silly parts in the book but it left a vivid impression of darkness for me. The book has recently been turned into a film. A powerful story.
But I promise you, not all my reading selection is that dark. As I have mentioned in the blog before, The Arrival is a wonderful story of immigration, told entirely through pictures. The setting is strange enough to not be an identified place, but the emotions are very real. We follow one man as he leaves his family to travel to a foreign land. The reader gets to try to figure out the new society along with the protagonist. Until eventually he is able to welcome his family to the country and show them how to navigate. This is a wonderful story with a much happier ending then either of the previous two. If nothing else check the book out for Shaun Tan's amazing illustrations.
And for sheer humor (but also education) I'm reading Larry Gonick's The Cartoon History of the Universe, parts 1-7. This light and often silly graphic story starts at the big bang and looks at human history from early fish life through the Ancient Greek civilization. There is a long section on the Egyptians that was just fascinating and the stories of early Canaan and Persia are wonderful. For the first time I was able to keep track of at least some of the ancient rulers. Gonick mixes just enough silliness with just enough facts to make for a very entertaining and informative read. Jeff had recommended the book and I have to say I've learned a ton about ancient history and laughed out loud a couple times in the process. There are more books following that bring history up to the modern time.
Sunday, January 25, 2009
Ordo Bibliotheca


Tuesday, January 13, 2009
Movie Comparisons
So last night I was a little nervous when I sat down to watch the film. It is very rare that I enjoy a film based on a book I've loved. The movies are just never as good. But last night I was blown away by this film. I will not say that it was better than the book but it definitely stood its own. The movie was downright wonderful. I was enthralled from the opening recitation of the Guy Fawkes rhyme up until the final moments.
Perhaps the reason I loved the film so much was that it stayed relatively true to the book. There were some sections that were changed but the majority of the film followed the images in the book. And even if the scenes were not totally true (the raid on the TV station was changed to include Evie), they stayed true to the spirit of the novel. The scene at the end of the film where everyone arrives in their own Guy Fawkes masks was not in the book but it was an immensely powerful scene and I felt stayed true to the spirit of the book.
I was surprised to see that Alan Moore was not involved in the making of the film. I will have to do some digging to see what he thought of it. I thought Natalie Portman did beautifully going from helpless victim to heroine. Her transformation, although horrific, was done well and you can see the character develop. V (portrayed by Hugo Weaving) was wonderful. His verbosity and grandour made the role that much more powerful. The character of V has to be one of the more powerful heroes/anti-heroes of these last couple decades. I found myself crying at the last scene and I don't normally weep tears of joy for treasonous or seditious acts. :-)
The rest of the cast was very good and the film maintained the dark atmosphere of the book nicely. I was not particularly impressed with the character Stephen Fry played. The problem was not his acting but the character himself. He seemed to add almost too much light to a very dark political film. This character simply doesn't exist in the book. The violence was done well and was not simply for shock value. It, like in the book, always had a purpose. In fact, one of the best things about the book and the film is that it reminded me of the power of fear and wisdom and violence. Particularly in the last decade as we have seen fear be used as a tactic of control and I'm reminded how close we are to V's society. As V says, "The people should not be afraid of their government, the government should be afraid of its people."
I was very nervous going into the film but I'm happy to say that I loved it. It can happily sit on my shelves right next to the graphic novel that bears the same name. One of the few times that a film lives up to the book.
Saturday, July 5, 2008
Book Review: V for Vendetta

In the last couple years I have become enamored with graphic novels. There are a lot of people out there who say that they are not proper reading but I disagree. I guess I have always been reading one form of graphic story since I was a small child reading Uncle Scrooge comics. I still claim whatever gets kids reading is a great thing. Plus there are some incredibly thought-provoking stories told in graphic form. For those who say that graphic novels aren't intelligent reading, I suggest Maus, Watchman, Sandman, and this novel. I started and finished the book this morning. And it is a modern piece of genius.


